Combining Philosophers

All the ideas for R.G. Collingwood, Jonathan D. Jacobs and Machamer,P/Darden,L/Craver,C

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29 ideas

3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
12463 Unlike correspondence, truthmaking can be one truth to many truthmakers, or vice versa [Jacobs]
7. Existence / B. Change in Existence / 2. Processes
16554 Activities have place, rate, duration, entities, properties, modes, direction, polarity, energy and range [Machamer/Darden/Craver]
8. Modes of Existence / A. Relations / 3. Structural Relations
14375 If structures result from intrinsic natures of properties, the 'relations' between them can drop out [Jacobs]
8. Modes of Existence / C. Powers and Dispositions / 1. Powers
14378 Science aims at identifying the structure and nature of the powers that exist [Jacobs]
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
12467 Powers come from concrete particulars, not from the laws of nature [Jacobs]
16556 Penicillin causes nothing; the cause is what penicillin does [Machamer/Darden/Craver]
10. Modality / A. Necessity / 10. Impossibility
14377 Possibilities are manifestations of some power, and impossibilies rest on no powers [Jacobs]
10. Modality / B. Possibility / 1. Possibility
14376 States of affairs are only possible if some substance could initiate a causal chain to get there [Jacobs]
10. Modality / B. Possibility / 9. Counterfactuals
14379 Counterfactuals invite us to consider the powers picked out by the antecedent [Jacobs]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
14372 Possible worlds are just not suitable truthmakers for modality [Jacobs]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
12466 All modality is in the properties and relations of the actual world [Jacobs]
10. Modality / C. Sources of Modality / 6. Necessity from Essence
14371 We can base counterfactuals on powers, not possible worlds, and hence define necessity [Jacobs]
10. Modality / E. Possible worlds / 1. Possible Worlds / c. Possible worlds realism
12465 Concrete worlds, unlike fictions, at least offer evidence of how the actual world could be [Jacobs]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
12464 If some book described a possibe life for you, that isn't what makes such a life possible [Jacobs]
12469 Possible worlds semantics gives little insight into modality [Jacobs]
11. Knowledge Aims / A. Knowledge / 2. Understanding
16562 We understand something by presenting its low-level entities and activities [Machamer/Darden/Craver]
14. Science / D. Explanation / 2. Types of Explanation / e. Lawlike explanations
16563 The explanation is not the regularity, but the activity sustaining it [Machamer/Darden/Craver]
14. Science / D. Explanation / 2. Types of Explanation / h. Explanations by function
16555 Functions are not properties of objects, they are activities contributing to mechanisms [Machamer/Darden/Craver]
14. Science / D. Explanation / 2. Types of Explanation / i. Explanations by mechanism
16529 Mechanisms are systems organised to produce regular change [Machamer/Darden/Craver]
16530 A mechanism explains a phenomenon by showing how it was produced [Machamer/Darden/Craver]
16553 Our account of mechanism combines both entities and activities [Machamer/Darden/Craver]
16559 Descriptions of explanatory mechanisms have a bottom level, where going further is irrelevant [Machamer/Darden/Craver]
16528 Mechanisms are not just push-pull systems [Machamer/Darden/Craver]
14. Science / D. Explanation / 3. Best Explanation / b. Ultimate explanation
16564 There are four types of bottom-level activities which will explain phenomena [Machamer/Darden/Craver]
15. Nature of Minds / C. Capacities of Minds / 3. Abstraction by mind
16561 We can abstract by taking an exemplary case and ignoring the detail [Machamer/Darden/Craver]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20420 The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20421 Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
20406 Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
26. Natural Theory / D. Laws of Nature / 11. Against Laws of Nature
16558 Laws of nature have very little application in biology [Machamer/Darden/Craver]